Digital Japanese History

絵本水や空、耳鳥斎 画、3冊 (合1冊) ; 23cm、平安、八文字屋八左衛門、安永9 [1780]、https://dl.ndl.go.jp/info:ndljp/pid/2537568、出典:国立国会図書館「NDLイメージバンク」 (https://rnavi.ndl.go.jp/imagebank/)

Addiss, Stephen. “The Three Women of Gion.” In Flowering in the Shadows: Women in the History of Chinese and Japanese Painting, ed. Marsha Weidner, 241-264. Honolulu: University of Hawaii, 1990.

Ema Saiko. Breeze Through Bamboo: Kanshi of Ema Saiko, trans. Sato Hiroaki, New York City: Columbia University Press, 1997.

Fister, Patricia. “Women Artists in Traditional Japan.” In Flowering in the Shadows: Women in the History of Chinese and Japanese Painting, ed. Marsha Weidner, 219-240. Honolulu: University of Hawaii, 1990.

Fister, Patricia. “Feminine perceptions in Japanese art of the kinsei era.” Nichibunken Japan review: bulletin of the International Research Center for Japanese Studies 8 (January 1997), 3-21.

Nagase, Mari. “Truly, they are a lady’s words: Ema Saiko and the Construction of an Authentic Voice in Late Edo Period Kanshi.” Japanese Language and Literature 48:2 (October 2014), 279-305.

Suzuki, Tomi. “Splendid Japanese Women Artists of the Edo Period.” Early Modern Women 10:2 (Spring 2016), 155-166.

Weidner, Marsha. “Introduction: Images and Realities.” In Flowering in the Shadows: Women in the History of Chinese and Japanese Painting, ed. Marsha Weidner, 1-27. Honolulu: University of Hawaii, 1990.